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Nick: squire (Registered User)
Date/Time: Tue, 11/30/2004 at 13:29 EDT (Tue, 11/30/2004 at 12:29 EST)
Browser/OS: Microsoft Internet Explorer V5.01 using Windows NT 5.0
In Reply To: Marquette Conference Discussions--John Garth #2  <galadhremmin>  [11/30/2004 @ 12:38]  (8/9)
Subject:
The imagery is only part of the story
Message:

3)  Accepting for the moment that in using these themes and images, Tolkien may have been working out his response to his wartime experiences, why does that make for a story that appeals to us? What's the parallel in our lives or psyches to the experience of a young Edwardian English academic, transported nightmarishly "there" to the trenches "and back again," that makes this story resonate so?

Paul Fussell, in his seminal book The Great War and Modern Memory (and I recommend it to anyone with the slightest interest in this discussion) shows how World War I fundamentally altered the psyche of the modern era, through its influence on literature, writing, and thinking in subsequent decades.

Remember that Tolkien's story is not about WWI. He uses WWI for imagery and themes that resonated with him, and resonate still for his readers three generations later, because they are burned into our cultural upbringing. His appeal to us transcends any specific experience he personally lived through, because he was a literary artist gifted with tremendous imagination.

Garth has found a topic that too few Tolkien fans know about, and so is worth reading. But World War I, as far as imagery and experience is concerned, is just one of the many sources Tolkien drew upon.

More than the battlefield's horrors, Garth's book focuses on the lived experience of WWI that most Europeans suffered through -- the cumulative loss of friends, comforts, health, money, years of ones life, engrained assumptions about the world -- and the impact that had on a maturing poet's sensibilities.



Wake up and smell the coffee.

squire online:
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