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Nick: Arevanye (Registered User)
Date/Time: Sun, 8/1/2004 at 13:27 EDT
Browser/OS: Microsoft Internet Explorer V6.0 using Windows NT 5.1
In Reply To: Don't get me wrong,  <Curious>  [8/1/2004 @ 13:01]  (1/1)
Subject:
A snippet from a LeGuin interview
Message:

Thanks for clarifying, Curious--so many people protested her change in writing direction for Tehanu, I figured you might have been one of them!

Here is a snippet from an interview by The Guardian where she answers a question about "naming".

Q: Where did the idea of discovering 'true names' as a means to powerful magic come from? Do you know what fired you to include it in the Earthsea books as such a central theme?

UKL: It's a very old idea in magic, all over the world. I read Lady Frazier's Leaves from the Golden Bough as a kid, and probably met it there. Or almost anywhere. A writer, an artist whose medium is words, is likely to find the idea of magic as naming, words as power, a quite natural one.

and pssst...Curious.  Have you seen her Catwings set of children's books?  They are very short, but very sweet books about magical winged cats.  My daughter loved them--I know you are always looking for children's book recommendations.


A fairytale is not an allegory. There may be allegory in it, but it is not an allegory. He must be an artist indeed who can, in any mode, produce a strict allegory that is not a weariness to the spirit. An allegory must be Mastery or Moorditch.

A fairytale, a sonata, a gathering storm, a limitless night, seizes you and sweeps you away: do you begin at once to wrestle with it and ask whence its power over you, whither it is carrying you?
    ~"The Fantastic Imagination" George MacDonald 1893

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