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Nick: Curious (Registered User)
Date/Time: Sun, 5/16/2004 at 0:22 EDT (Sat, 5/15/2004 at 22:22 CST)
Browser/OS: Microsoft Internet Explorer V6.0 using Windows 98
In Reply To: passing of the hobbits?  <Goldilocks Took>  [5/15/2004 @ 9:52]  (8/69)
Subject:
Gondor is Faerie.  The Shire is mundane.
Message:

There is no bright line between the mundane and the magical, but most hobbits act as if magic does not exist -- just as most modern-day people do.  Because Aragorn made the Shire off-limits to the Big Folk, the hobbits can continue to live as if magic does not exist.  But Merry and Pippin know better.

On the other hand, Aragorn is no mere man, but the last of the Numenorean kings, while Arwen is Elrond's daughter and Galadriel's granddaughter.  They may have chosen mortality, but they are essentially the queen and king of Faerie.  In several of his stories and poems Tolkien plays with the idea of people from the mundane world visiting Faerie and even choosing to stay there.  In the stories of Beren and Turin and Tuor, those heroic men are too altered by their experiences to fit into mundane human societies.  Instead, they marry elves and live with elves.

Sam and Merry and Pippin compromise.  They marry hobbits and live in the Shire.  But eventually, when their wives pass away, they do leave the Shire forever, Sam to the West, and Merry and Pippin to what remains of Faerie in Middle-earth.  It is a reminder that they are by no means ordinary hobbits, but also that in Tolkien's view, a trip to Faerie carries a price.  After living in Faerie, the mundane world is never the same.  For those with eyes to see it, Merry and Pippin and Sam stand out in the Shire like diamonds in a pile of coal.  There is a certain amount of loneliness for the diamond-like hobbit still living among his less-brilliant, less-hardened kinsmen.  Fortunately, Merry and Pippin and Sam have each other, and do take trips outside the Shire.  They lead happy lives, yet how can the Shire compare with their adventure?


“I dislike Allegory - the conscious and intentional allegory - yet any attempt to explain the purport of myth or fairytale must use allegorical language.  (And, of course, the more 'life' a story has the more readily will it be susceptible of allegorical interpretations: while the better a deliberate allegory is made the more nearly will it be acceptable just as a story.)” (From Tolkien Letter # 131.)

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